Melodramma (plural:
melodrammi) is a 17th-century
Italian term for a text to be set as an
opera, or the opera itself. In the 19th-century, it was used in a much narrower sense by English writers to discuss developments in the early Italian
libretto, e.g.,
Rigoletto and
Un ballo in maschera. Characteristic are the influence of French bourgeois drama, female instead of male protagonists, and the practice of opening the action with a chorus.